Events from March 1 to March 31
Mixing ritualistic and visceral movement, sound, video, and text, Jessica Emmanuel’s new solo dance workˈkwirē/ considers a dystopian world where the majority of historical and ancestral information has been destroyed. [VIRTUAL EVENT]
Livestreaming from Mexico City, Aquelarre Gonzo Camarena (“The Gonzo Crew”) is a regular online showcase of Mexico’s finest audiovisual ephemera. [VIRTUAL EVENT]
Curated by Gabrielle Civil, Black Motion Pictures is a series of Zoom interviews with radical Black creatives about race, performance, and representation conducted between June 2–14, 2020. [VIRTUAL EVENT]
Global Studios and Audiotopias, a project led by sound engineer, music producer, recording studio director, and musician Emily Evans, explores virtual hybridity as a model for musical collaboration and composition. [VIRTUAL EVENT]
From Moscow, award-winning filmmaker and curator Ekaterina Selenkina presents the work of female filmmakers from Russia and the Russian diaspora to introduce U.S. audiences to new radical voices. [VIRTUAL EVENT LIMITED TO THE U.S.]
MU/Connector: Chilseong Saenamgut is a new ritual theater shamanic experience where ancestral traditions are transmuted through dance, singing, drumming, and electronic soundscapes, with immersive video and stage design, and community participation. [VIRTUAL EVENT]
Serving her third term as the U.S. Poet Laureate, and author of nine books of poetry, several plays and children's books, and two memoirs, Joy Harjo’s approach to writing as inseparable from orality, memory, culture and performance invigorates her creation of an ever-unfolding cross-genre literary form. [VIRTUAL EVENT]
For this program of short films, Juan Camilo González proposes a reading of analogue animation as a means to exorcise personal and collective traumas. [VIRTUAL EVENT]
